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Jerome, born Eusebius Hieronymus on the Dalmatian-Pannonian border, is the biblical scholar whose Latin translation of scripture, the Vulgate, became the standard Bible of the Western Church for over a thousand years. Trained in classical rhetoric in Rome, he withdrew for a time to the Syrian desert as a hermit, learning Hebrew from a Jewish convert, before settling in Bethlehem, where he lived beside the Grotto of the Nativity for his last three decades translating the Hebrew and Greek scriptures directly rather than relying on earlier Latin versions made from the Greek Septuagint. Tradition shows him with a lion, from the legend that he removed a thorn from a lion's paw, and, anachronistically, a cardinal's hat, an office that did not yet exist in his lifetime.

Facts
Attestation
Historicity
Historically attested 1
Historically attested; a large body of his own letters and translations survives
Canonization
Pre-Congregation: venerated before any formal process existed 1Tradition: Christianity
Canonization Detail
Pre-Congregation: venerated before any formal canonization process existed; declared a Doctor of the Church 1Tradition: Christianity
Veneration
Patronage
Translators, librarians and archivists, biblical scholars 2Tradition: Christianity
Life
Lifespan or Floruit
c. 347-420 1
Place of Activity
Rome, Antioch, the Chalcis desert, Constantinople, and Bethlehem, where he settled for his last 34 years 1
Manner of Death
Died of natural causes 1
Manner of Death Detail
Died at Bethlehem in 420 1
Disputed
Lifespan or Floruit
347 to 420 CE 1
The source marks this year circa, its own approximate estimate rather than a fixed date.
Identity
Also Known As
Eusebius Hieronymus; Jerome of Stridon 1
Gender
Male 1
Origins
Place of Origin
Stridon, on the border of Dalmatia and Pannonia 1
Position Profile
Key Text
The Vulgate, his Latin translation of the Hebrew and Greek scriptures made over his last three decades at Bethlehem, is the work his name is inseparable from. 1
Learn More
The Hermit Who Learned Hebrew

Jerome trained in Rome under the grammarian Aelius Donatus, mastering classical Latin rhetoric so thoroughly that he later described a dream in which he stood before a divine tribunal and was condemned as a Ciceronian rather than a Christian, more devoted to pagan style than to scripture, a vision he said left him unable to touch a classical text for years afterward. Around 375 he withdrew to the Syrian desert near Chalcis to live as a hermit among a small community of ascetics, a period he later described as one of fierce temptation, in which he imagined the dancing girls of Rome even as he fasted among scorpions and wild beasts.

It was in this same desert period that Jerome began learning Hebrew from a Jewish convert to Christianity, a highly unusual step for a Latin Christian scholar of his time, when most Western theologians worked entirely from Greek or from Old Latin translations already once or twice removed from the Hebrew original. He called the study bitter and difficult after the ease of Ciceronian Latin, but it gave him a qualification almost no other Latin Christian writer of his age possessed, direct access to the Hebrew Bible rather than dependence on the Greek Septuagint translation that earlier Latin versions had been made from.

After periods in Antioch, Constantinople, and Rome, where he served briefly as secretary to Pope Damasus I and gathered a following of aristocratic Roman women devoted to ascetic study of scripture, Jerome settled permanently in Bethlehem in 386, founding a monastery beside the traditional site of Christ's birth where he would spend the rest of his life.

Making the Vulgate

Pope Damasus I first commissioned Jerome to revise the existing Old Latin gospels against the Greek text, a relatively cautious task Jerome completed while still in Rome. What followed in Bethlehem was far more ambitious and, in its own time, controversial: rather than revising the Old Latin Old Testament against the Greek Septuagint, the text nearly all earlier Christian translators had used, Jerome chose to translate directly from the Hebrew, a method he called hebraica veritas, the Hebrew truth, on the grounds that a translation should work from the language a text was actually composed in.

The choice drew real opposition. Augustine of Hippo, corresponding with Jerome across a tense and only partly resolved exchange of letters, worried that abandoning the Septuagint, which tradition already held to be divinely inspired and which underlay every existing Latin lectionary, would fracture the unity of the church's scripture and cause needless scandal among congregations used to the older wording. Jerome held his ground, though the disagreement, covering translation method, the interpretation of Galatians, and matters of scholarly courtesy, was never fully settled between them.

Jerome's translation, later known as the Vulgate, from the Latin for commonly used, did not become the church's standard Bible in his own lifetime; it competed with Old Latin versions for centuries before the Council of Trent formally declared it authoritative in 1546. His method also shaped the Old Testament canon itself, since Jerome distinguished the Hebrew scriptures from a set of Greek-only books, later called the Apocrypha in Protestant usage and the deuterocanon in Catholic usage, a distinction that outlived him by more than a thousand years.

Cross-Tradition Connections

Associated With

This source names Jerome directly: "from Victorinus of Pettau by way of Jerome, a different and later scheme, so a claim about the standard evangelist symbols should follow that later pairing rather than Irenaeus's own, and the two..."

Source Against Heresies (Adversus Haereses)Irenaeus of Lyons

Corresponded for years with Augustine of Hippo over Jerome's Hebrew-based translation method and their reading of Galatians 2; the exchange was never fully resolved between them.

Source The Oxford Dictionary of the Christian Church, 3rd revised editionF. L. Cross and E. A. Livingstone (eds.)

This source names Jerome directly: "flanked by Saints Augustine and Jerome, itself flanked by painted panels of Saint Anthony's temptation by demons and his meeting with Saint Paul in the desert."

Source The Isenheim Altarpiece (Musee Unterlinden Official Page)Musee Unterlinden curatorial staffthe holders' own account

This source names Jerome directly: "da Messina's panel painting Saint Jerome in His Study, oil on limewood, dated to about 1474 to 1475, National Gallery, London, accession NG1418."

This source names Jerome directly: "of Antonello da Messina's Saint Jerome in His Study, maintained separately from the Wikipedia article on the painting."

Founded a monastery beside the Grotto of the Nativity in 386 and lived there for the rest of his life, translating scripture.

Source The Oxford Dictionary of the Christian Church, 3rd revised editionF. L. Cross and E. A. Livingstone (eds.)

This source names Jerome directly: "Saint Gregory the Great, Saint Jerome, Saint Ambrose and Saint Augustine, gather in discussion around an altar bearing a monstrance that displays the consecrated host."

Belongs to Tradition

Depicted In

The panel's sole subject, named directly in both the museum's title as recorded by Wikipedia and the Commons file description of the museum's own photograph.

Works Attributed

Translated the Hebrew and Greek scriptures into Latin directly from their source languages rather than revising the Old Latin.

Source The Oxford Dictionary of the Christian Church, 3rd revised editionF. L. Cross and E. A. Livingstone (eds.)
Sources
1. The Oxford Dictionary of the Christian Church, 3rd revised edition
F. L. Cross and E. A. Livingstone (eds.), Oxford University Press, 2005View the Source
2. Butler's Lives of the Saints, New Full Edition
Herbert Thurston and Donald Attwater (eds.), Burns and Oates / Liturgical Press, 1956View the Source
Saint Jerome in His Study, File Record (Wikimedia Commons, NG1418)
Wikimedia CommonsDepicted In: Saint Jerome in His Study (National Gallery, NG1418)
Quote, Depicted In: Saint Jerome in His Study (National Gallery, NG1418)
Saint Jerome in His Study, Antonello da Messina, National Gallery, London, accession NG1418, Room 62.
View the Source
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