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Thomas a Kempis

Also Known As Thomas Hemerken (German) His family name; a Kempis names the town of Kempen. · Kempis
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Thomas a Kempis was a canon of the Windesheim congregation in the Low Countries and the writer to whom The Imitation of Christ is generally attributed. The book belongs to the Devotio Moderna, a movement of practical inward piety among clergy and laity in the Netherlands and the Rhineland, and it has been among the most widely circulated Christian works ever printed. The attribution has been argued over since the fifteenth century, and a manuscript in his hand is the strongest evidence for it rather than a settlement of the question.

Facts
Publications
Notable Publication
He is traditionally credited as the author of The Imitation of Christ, a devotional manual that became one of the most widely translated and printed works in Christian history, for centuries second in circulation only to the Bible itself, though a minority of scholars have argued for other possible authors. 1
Disputed
Lifespan or Floruit
1380 to 1471 1
The source marks this year circa, its own approximate estimate rather than a fixed date.
Attestation
Historicity
Historically attested 1
Status
Status Within the Tradition
The Imitation of Christ, the work traditionally though not certainly attributed to him, belongs to the Devotio Moderna movement's emphasis on inward, personal piety over scholastic theology, urging readers toward humble discipleship rather than doctrinal argument. 1
Attributions
Tradition
The Devotio Moderna, the Netherlandish movement of interior reform out of which the Imitation of Christ came 1
Life
Lifespan or Floruit
c. 1380-1471 1
Place of Activity
The house of Canons Regular at Mount St Agnes near Zwolle, where he spent most of his life copying manuscripts 1
Identity
Gender
Male 1
Position Profile
Key Text
The Imitation of Christ, generally attributed to him though argued over since the fifteenth century, is among the most widely circulated Christian works ever printed. 1
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A Life Spent Copying

Thomas Hemerken was born at Kempen in the Rhineland and sent at about twelve to Deventer, where the Brethren of the Common Life ran a house for poor scholars. The Brethren were the institutional face of the Devotio Moderna, a movement of interior reform started by Gerard Groote which held that the machinery of scholastic theology had become an obstacle, and that what mattered was the ordering of a life: reading slowly, examining oneself, working, and keeping silence.

He absorbed it completely. At about twenty he joined the community of Canons Regular at Mount St Agnes near Zwolle, where his older brother was prior, and he stayed for roughly seventy years. He was ordained, served as sub-prior more than once, and spent the greater part of his working life as a copyist. He copied a complete Bible four times, along with missals and other books, in a clear hand that survives.

He also wrote a good deal himself: chronicles of his own house, sermons to novices, and lives of Groote and the first Brethren, which are the principal source for the movement's early history. None of that would have made him known outside the Low Countries. He is one of the most widely read Christian authors in history because of a small book of four parts, gathered from booklets he had written for novices, which he transcribed into a manuscript in 1441.

The Authorship Question, and the Book Itself

The Imitation of Christ has been translated into more languages than any Christian book except the Bible, and its manner is the reverse of impressive. It is short, plain, addressed to one reader, and openly suspicious of learning: it would rather feel compunction, it says, than be able to define it, and asks what use it is to argue profoundly about the Trinity if you lack humility and so displease the Trinity. Four books move from general counsel through interior life to a long meditation on communion.

Its severity is real and is why it has both attracted and repelled. It counsels withdrawal, distrust of company and of one's own judgement, and the expectation of consolation withdrawn. It has been the daily book of an enormous range of readers who otherwise had nothing in common.

The authorship has been argued for six centuries. Thomas's claim rests on a manuscript in his own hand signed and dated 1441, which is strong evidence and not decisive, since a copyist's autograph proves he copied it. The French and Italian traditions long attributed it to the chancellor Jean Gerson, and a serious case has been made for Gerard Groote himself, partly on the argument that an underlying Middle Dutch rhythmic text lies beneath the Latin. The majority position remains that Thomas wrote it, out of the movement's common stock of material, and the atlas records the attribution as contested rather than settled.

Cross-Tradition Connections

Associated With

This source names Thomas a Kempis directly: "of Christ, traditionally attributed to Thomas a Kempis and translated here by Betty I."

Source The Imitation of ChristAttributed to Thomas a Kempis; trans. Betty I. Knott

This source names Thomas a Kempis directly: "own collection record for "Thomas a Kempis Maria met het Christuskind aanbiddend," an engraving by Pieter Serwouters, made in 1626."

Attributed Works

Why this is disputed. Thomas a Kempis is credited as author on the strength of an autograph manuscript dated 1441 in his own hand, the strongest direct evidence behind any of the work's candidates. Rival claims for Jean Gerson, chancellor of the University of Paris, and for the Dutch reformer Gerard Groote, founder of the Devotio Moderna movement the book reflects, have been argued for centuries on stylistic and doctrinal grounds, since the work's spiritual outlook matches Groote's own teaching closely. A Kempis remains the majority scholarly view, resting chiefly on that surviving autograph rather than on style alone.

Source The Oxford Dictionary of the Christian Church, 3rd revised editionF. L. Cross and E. A. Livingstone (eds.)

Belongs to Tradition

Depicted In

The Rijksmuseum's own title and description name Thomas a Kempis as the kneeling devotional figure in the scene.

Sources
1. The Oxford Dictionary of the Christian Church, 3rd revised edition
F. L. Cross and E. A. Livingstone (eds.), Oxford University Press, 2005View the Source
Encyclopaedia Britannica (online academic reference)
Encyclopaedia Britannica editors, Encyclopaedia Britannica, Inc., 2024View the Source
Thomas a Kempis Maria met het Christuskind aanbiddend, Rijksmuseum (Serwouters, 1626)
RijksmuseumDepicted In: Thomas a Kempis Adoring Mary and the Christ Child (Rijksmuseum, Serwouters, 1626), Rijksmuseum RP-P-1886-A-10524View the Source
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The atlas records no dated fact of its own for this entry, so there is no other year to choose.