Divinity Atlas

Sacred Correspondences
Palm Mounts

Mount of Saturn

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Origin 1100 to 1200

Governs discipline, responsibility, patience, and the serious side of life. It reflects wisdom, prudence, and the capacity for solitude and study, while a heavy mount can indicate melancholy or rigidity.

Facts
Origins
Origin Period
1100 to 1200 1Tradition: Medieval Latin chiromancy
Origin PeriodSourced to the subject's own account
1522 2Tradition: Renaissance printed chiromancy (Johannes ab Indagine, 1522)
Origin PeriodSourced to the subject's own account
1843 to 1859 3Tradition: French chirognomy and chiromancy (d'Arpentigny and Desbarrolles)
Origin Period
Named within twelfth-century medieval Latin chiromancy, adopted into Johannes ab Indagine's 1522 Renaissance manual, and given its modern form in the French chirognomy of Desbarrolles and d'Arpentigny between 1843 and 1859. 1
Attributed Author / CompilerSourced to the subject's own account
Casimir Stanislas d'Arpentigny, who published La Chirognomonie in 1843 and classified hands by shape, and Adolphe Desbarrolles, who published Les Mysteres de la Main in 1859 and systematised the lines and mounts. The interpretive vocabulary the atlas records is theirs; the popular English form is Cheiro's. 4
Origin of the NameSourced to the subject's own account
Named for the planet Saturn 2
Origin of the NameSourced to the subject's own account
The name is astrological, not anatomical, and the qualities read from the mount are the planet's standard significations transferred to the hand 2
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The Mount of Saturn

The Mount of Saturn lies at the base of the middle finger, and the tradition claims for it seriousness, prudence, solitude, patience and a disposition toward study; an excessive mount is read for gloom and misanthropy and a deficient one for frivolity. The assignment follows the astrological significations of Saturn exactly, which is the pattern throughout the scheme. Chiromancy of this school also reads markings on each mount, a cross, a star, a grille or a triangle, each with its own meaning, so that the interpretive vocabulary multiplies quickly; Desbarrolles and his successors produced elaborate tables of them. The descriptions given here are the tradition's own; they are recorded as what the practice claims, not as findings about hands.

Traditional chiromancy reads a well-developed Mount of Saturn, at the base of the middle finger, as indicating seriousness, prudence, a taste for solitude and a tendency toward introspection or, in excess, melancholy, associations that follow directly from Saturn's own character in classical and medieval astrology as the planet of restriction, discipline and time. An overly flat or underdeveloped Saturn mount is read in the same tradition as indifference or a lack of direction, while an excessively swollen one suggests morbid or fatalistic tendencies. As with every mount in this scheme, the attribution is the tradition's own internal logic, extending planetary character types onto the hand, rather than a claim with any supporting evidence from physiology or from any controlled study of personality.

Sources Les Mysteres de la MainAdolphe Desbarrolles with Introductiones apotelesmaticae elegantes in chyromantiam, physiognomiam, astrologiam naturalem, complexiones hominum, naturas planetarumJohannes ab Indagine (Johannes Rosenbach)

What the Mount of Saturn Actually Is

The mounts are named for the seven classical planets, and that naming is the clearest fingerprint of where the modern system comes from. Reading the hand and reading the sky were fused in the chiromancy of the later medieval and early modern period, and the planetary vocabulary entered from astrology rather than from any independent tradition of hand reading. Where a system's parts are borrowed, the borrowing is usually visible in what it calls them.

The Mount of Saturn is anatomically the pad at the base of the middle finger, over the head of the third metacarpal. Its prominence is a matter of the soft tissue over the joint and of how the hand is habitually used.

Two things follow. Mount prominence is strongly affected by build, by handedness and by manual labour, none of which the chiromantic reading isolates, so a reader judging a mount is judging a physique as much as anything else. And the planetary names carry astrological meanings in with them: what a mount is said to signify tends to be what its planet signifies, which means the mount system inherits its content rather than deriving it. The atlas sets out the tradition's own reading elsewhere on this page. Here it records what the structure actually is and where the name came from.

Sources Introductiones apotelesmaticae elegantes in chyromantiam, physiognomiam, astrologiam naturalem, complexiones hominum, naturas planetarumJohannes ab Indagine (Johannes Rosenbach) with Kaplan's Functional and Surgical Anatomy of the HandEmanuel B. Kaplan, 3rd edition revised by Morton Spinner

Cross-Tradition Connections

Disciplines That Use This

Palmistry, Disciplines

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)
Sources
1. The Earliest Chiromancy in the West
Charles S. F. Burnett, Journal of the Warburg and Courtauld Institutes 50, 189-195, 1987on the twelfth-century Latin texts and their Arabic transmissionView the Source
2. Introductiones apotelesmaticae elegantes in chyromantiam, physiognomiam, astrologiam naturalem, complexiones hominum, naturas planetarum
Johannes ab Indagine (Johannes Rosenbach), Johannes Schott, Strasbourg, 1522the chiromantic section: the mounts and their planetary rulers
3. Les Mysteres de la Main
Adolphe Desbarrolles, E. Dentu, 1859the Mount of Saturn and its markingsView the Source
4. La Chirognomonie, ou l'art de reconnaitre les tendances de l'intelligence d'apres les formes de la main
Casimir Stanislas d'Arpentigny, C. Le Clere, 1843the seven hand types and the plan of the work
Kaplan's Functional and Surgical Anatomy of the Hand
Emanuel B. Kaplan, 3rd edition revised by Morton Spinner, J. B. Lippincott, 1984the Mount of Saturn: anatomical location and structureView the Source
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