Divinity Atlas

Sacred Correspondences
Disciplines

Palmistry

Divinatory Disciplines

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Origin from 1100

Palmistry, also called chiromancy, is the practice of interpreting the lines, mounts, and shapes of the hand to reveal character and to foretell the course of a life. Readers study the major lines of the palm, the heart, head, and life lines among them, together with the fleshy mounts named for the planets and the form of the fingers and thumb. Each feature is held to correspond to temperament, talents, emotions, and destiny, blending careful observation with a symbolic language shared with astrology. It has long been used both as a folk art of fortune telling and as a tool of self-knowledge.

Facts
Origins
Origin Period
from 1100 1Tradition: medieval European chiromancy
Place of Origin
Indian Subcontinent 1
Place of Origin
Spread through the Roma peoples into Europe 1
Status
Status Today
Living tradition, practised today 1
Learn More
Reading Character and Fate in the Hand

Palmistry, also called chiromancy, is the practice of interpreting the lines, mounts, shapes, and other features of the hand to reveal a person's character and to foretell the course of their life. The reader studies the major lines of the palm, conventionally the heart line, the head line, and the life line, together with lesser lines such as the "fate line", along with the fleshy "mounts" beneath the fingers (each traditionally associated with a planet, in the manner of astrology), the overall shape of the hand and fingers, and their flexibility and markings.

The tradition has deep roots in India, and versions appear across the classical and medieval worlds, often intertwined with astrology, so that the mounts and lines were correlated with the planets and their supposed influences. Palmistry flourished in the European Renaissance alongside the other divinatory arts, was condemned at various times by church authorities, and enjoyed a great popular revival in the nineteenth and early twentieth centuries through figures such as "Cheiro." Presented fairly, palmistry is a traditional divinatory and character-reading art with a long and genuine cultural history; from a scientific standpoint there is no established basis for the claim that palm features predict life events, and it is best understood, like astrology, as a symbolic and interpretive system rather than a predictive science. Its enduring appeal lies in the ancient intuition that the hand, so central to human action, might carry the imprint of the whole person and their destiny.

The Hand That Can Be Read, and the Hand That Cannot

Reading the hand has independent traditions in India, in China and around the Mediterranean, and the European form absorbed material from all of them. Its modern shape owes most to a revival in the nineteenth century, and above all to the practitioner who worked as Cheiro, who systematised the mounts and lines for a large popular readership and also supplied one of the rival letter tables used in numerology.

There is a real science in the neighbourhood and confusing it with palmistry is the standard error. Dermatoglyphics studies the ridge patterns of the fingers and palms, which form in the womb and are fixed for life. Because they develop at a particular stage of gestation, disturbances at that stage leave traces, and certain patterns are genuinely associated with particular chromosomal and developmental conditions. That is a narrow, well-evidenced medical observation.

It is not what palmistry claims. The flexion creases usually read as the life, head and heart lines are folds produced by the hand closing, their length is a matter of anatomy, and no association between them and lifespan, intellect or affection has survived testing. The best documented mechanism for a successful reading is the reading itself: a practitioner holding a client's hand, in conversation, has an unusually rich stream of feedback to work from.

The atlas records the tradition, its long history and its wide distribution, and records that the specific correspondences have not been shown to hold.

Cross-Tradition Connections

Associated With

Revived and systematized the reading of the palm's lines in Les Mysteres de la Main (1859), complementing d'Arpentigny's shape based chirognomy.

Source Les Mysteres de la MainAdolphe Desbarrolles

Founded chirognomy, the shape based branch of palmistry, in his 1839 treatise La Chirognomonie.

His books fixed the standard vocabulary of lines and mounts still used in popular Western palmistry.

Source Palmistry for AllCheiro (William John Warner)

Launched the modern revival of Western palmistry, classifying hand shapes still used by palm readers today.

Belongs to Tradition

Hinduism, Religions

Hasta samudrika shastra, the reading of the hand, is treated as an ancillary limb of Jyotisha and consulted alongside a birth chart, particularly on marriage and longevity; it is a folk and professional practice rather than a part of Hindu worship.

Source Palmistry for AllCheiro (William John Warner)

Related To

La Chirognomonie launched the modern revival of Western palmistry and introduced the classification of hand shapes still used today.

Works With

Fate Line, Palm Lines

The major and minor lines.

Source Man, Myth and MagicRichard Cavendish (ed.)

The major and minor lines.

Source Man, Myth and MagicRichard Cavendish (ed.)
Head Line, Palm Lines

The major and minor lines.

Source Man, Myth and MagicRichard Cavendish (ed.)
Heart Line, Palm Lines

The major and minor lines.

Source Man, Myth and MagicRichard Cavendish (ed.)
Index, Fingers

The fingers and their planetary attributions.

Source Man, Myth and MagicRichard Cavendish (ed.)
Life Line, Palm Lines

The major and minor lines.

Source Man, Myth and MagicRichard Cavendish (ed.)
Little, Fingers

The fingers and their planetary attributions.

Source Man, Myth and MagicRichard Cavendish (ed.)

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)

The major and minor lines.

Source Man, Myth and MagicRichard Cavendish (ed.)

The major and minor lines.

Source Man, Myth and MagicRichard Cavendish (ed.)
Middle, Fingers

The fingers and their planetary attributions.

Source Man, Myth and MagicRichard Cavendish (ed.)

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)
Ring, Fingers

The fingers and their planetary attributions.

Source Man, Myth and MagicRichard Cavendish (ed.)
Sun Line, Palm Lines

The major and minor lines.

Source Man, Myth and MagicRichard Cavendish (ed.)
Thumb, Fingers

The fingers and their planetary attributions.

Source Man, Myth and MagicRichard Cavendish (ed.)

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)
Sources
1. Man, Myth and Magic
Richard Cavendish (ed.), Marshall Cavendish, 1970View the Source
The Earliest Chiromancy in the West
Charles S. F. Burnett, Journal of the Warburg and Courtauld Institutes 50, 189-195, 1987On the history of chiromancy in the WestView the Source
Palmistry for All
Cheiro (William John Warner), Herbert Jenkins, London, 1916The reading of the lines and mounts of the handView the Source
La Chirognomonie, ou l'art de reconnaitre les tendances de l'intelligence d'apres les formes de la main
Casimir Stanislas d'Arpentigny, C. Le Clere, 1843
Les Mysteres de la Main
Adolphe Desbarrolles, E. Dentu, 1859View the Source
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