Divinity Atlas

Sacred Correspondences
Palm Mounts

Mount of Venus

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Origin 1100 to 1200

The Mount of Venus is one of the seven traditional mounts of Western palmistry, sitting at the base of the thumb and enclosed by the curve of the Life line, and it is associated with the planet Venus, echoing that planet's broader link to love and pleasure across the other planetary correspondence systems recorded here. Palmists read a full, well formed mount here as a sign of warmth, sensuality and vitality, while a flat mount is read as coolness or reserve and an overdeveloped one as excess or self-indulgence. It is the largest of the seven mounts in most hands, reflecting the prominence chiromancy gives to Venus's themes in reading character. As with the rest of palmistry, this reading is a traditional interpretive practice rather than an empirically established one.

Facts
Origins
Origin Period
1100 to 1200 1Tradition: Medieval Latin chiromancy
Origin PeriodSourced to the subject's own account
1522 2Tradition: Renaissance printed chiromancy (Johannes ab Indagine, 1522)
Origin PeriodSourced to the subject's own account
1843 to 1859 3Tradition: French chirognomy and chiromancy (d'Arpentigny and Desbarrolles)
Origin Period
Named within twelfth-century medieval Latin chiromancy, adopted into Johannes ab Indagine's 1522 Renaissance manual, and given its modern form in the French chirognomy of Desbarrolles and d'Arpentigny between 1843 and 1859. 1
Attributed Author / CompilerSourced to the subject's own account
Casimir Stanislas d'Arpentigny, who published La Chirognomonie in 1843 and classified hands by shape, and Adolphe Desbarrolles, who published Les Mysteres de la Main in 1859 and systematised the lines and mounts. The interpretive vocabulary the atlas records is theirs; the popular English form is Cheiro's. 4
Origin of the NameSourced to the subject's own account
Named for the planet Venus. The ball of the thumb is the largest muscular mass in the palm, anatomically the thenar eminence, and the planetary name records what the tradition wanted it to mean, not what it is. 2
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The Mount of Venus

The Mount of Venus is the large pad at the base of the thumb, bounded by the life line, and it is the most prominent feature of the palm; the tradition claims for it vitality, warmth, affection, sensuality and the capacity for pleasure, reading a full and firm mount for a generous nature and a flat one for coldness. Anatomically it is the thenar eminence, the muscle group that moves the thumb, and its bulk is chiefly a function of hand use and musculature, which is a straightforward and testable explanation for variation that the tradition does not consider. This is a general problem with the scheme: several of the features it reads as character have obvious physical causes, occupational, genetic or age-related, and the interpretive tradition was constructed without reference to them.

Traditional chiromancy reads a well-developed Mount of Venus, at the base of the thumb and encircled by the life line, as indicating vitality, warmth, sensuality, love of family and physical energy generally, drawn directly from Venus's own classical association with love and desire; it is typically read as the single most consistently significant mount in the whole scheme, given how much of the palm's base it occupies. An excessively developed mount is read as self-indulgence or an excess of physical appetite, while a flat, underdeveloped mount suggests coldness or low vitality. Because Venus mount also sits directly beneath the thumb, some manuals additionally read its texture and colour, rather than only its size, as bearing on a person's constitutional health within the tradition's own framework.

Sources Les Mysteres de la MainAdolphe Desbarrolles with Kaplan's Functional and Surgical Anatomy of the HandEmanuel B. Kaplan, 3rd edition revised by Morton Spinner

What the Mount of Venus Actually Is

The mounts are named for the seven classical planets, and that naming is the clearest fingerprint of where the modern system comes from. Reading the hand and reading the sky were fused in the chiromancy of the later medieval and early modern period, and the planetary vocabulary entered from astrology rather than from any independent tradition of hand reading. Where a system's parts are borrowed, the borrowing is usually visible in what it calls them.

The Mount of Venus is anatomically the thenar eminence, the muscle mass at the base of the thumb. This is a real and substantial anatomical structure, and its size responds to use: a hand that grips for a living develops it. That is a confound the tradition does not control for, since the same development would be read as a temperament.

Two things follow. Mount prominence is strongly affected by build, by handedness and by manual labour, none of which the chiromantic reading isolates, so a reader judging a mount is judging a physique as much as anything else. And the planetary names carry astrological meanings in with them: what a mount is said to signify tends to be what its planet signifies, which means the mount system inherits its content rather than deriving it. The atlas sets out the tradition's own reading elsewhere on this page. Here it records what the structure actually is and where the name came from.

Sources Introductiones apotelesmaticae elegantes in chyromantiam, physiognomiam, astrologiam naturalem, complexiones hominum, naturas planetarumJohannes ab Indagine (Johannes Rosenbach) with Kaplan's Functional and Surgical Anatomy of the HandEmanuel B. Kaplan, 3rd edition revised by Morton Spinner

Cross-Tradition Connections

Disciplines That Use This

Palmistry, Disciplines

The mounts of the palm.

Source Man, Myth and MagicRichard Cavendish (ed.)
Sources
1. The Earliest Chiromancy in the West
Charles S. F. Burnett, Journal of the Warburg and Courtauld Institutes 50, 189-195, 1987on the twelfth-century Latin texts and their Arabic transmissionView the Source
2. Introductiones apotelesmaticae elegantes in chyromantiam, physiognomiam, astrologiam naturalem, complexiones hominum, naturas planetarum
Johannes ab Indagine (Johannes Rosenbach), Johannes Schott, Strasbourg, 1522the chiromantic section: the mounts and their planetary rulers
3. Les Mysteres de la Main
Adolphe Desbarrolles, E. Dentu, 1859the Mount of VenusView the Source
4. La Chirognomonie, ou l'art de reconnaitre les tendances de l'intelligence d'apres les formes de la main
Casimir Stanislas d'Arpentigny, C. Le Clere, 1843the seven hand types and the plan of the work
Kaplan's Functional and Surgical Anatomy of the Hand
Emanuel B. Kaplan, 3rd edition revised by Morton Spinner, J. B. Lippincott, 1984the Mount of Venus: the thenar eminenceView the Source
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