Divinity Atlas

Sacred Correspondences
Sacred Objects & Ritual Items

Haoma

Sacred Foods and Drinks

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The Avestan counterpart of the Vedic soma, and like it both a plant pressed for its juice and a divine being addressed in hymns. Yasna 9 to 11, the Hom Yasht, speaks to Haoma directly and has him appear to Zarathushtra at the hour of the morning ritual. He is praised as healing, as granting strength and wisdom, and as the giver of righteous sons, and the last pressing before the end of time is held to confer immortality on the resurrected. Haoma is not a memory. The juice is prepared and consecrated by priests as the central act of the Yasna ceremony in Zoroastrian communities today, and the plant used is ephedra, called hom or hum. Whether that ephedra is the plant of the Avestan hymns is the same open question that surrounds soma, and the two are really one question: Avestan haoma and Vedic soma descend from a single Indo-Iranian word and a single inherited rite.

Facts
Disputed
Botanical Identification
Ephedra in current practice; whether it is the plant of the Avestan hymns is unsettled 4
Sourced to the subject's own accountHaoma is the sacred plant pressed for its juice in Zoroastrian ritual and personified as a deity in the Avesta, the Iranian cognate of the Vedic soma described in similar terms in the Rigveda. David Flattery and Martin Schwartz's Haoma and Harmaline: The Botanical Identity of the Indo-Iranian Sacred Hallucinogen and Its Legacy in Religion, Language, and Middle Eastern Folklore (1989) records the strongest evidence for identifying haoma with ephedra: the living Zoroastrian Yasna ceremony has been performed continuously into the present using ephedra, an unbroken living practice rather than a scholarly reconstruction, the strongest single piece of evidence in the whole soma and haoma question precisely because it is observable practice rather than inference. Against that identification, the same inherited tradition documents substitution on its Vedic side, other plants pressed in place of the original when unavailable, and nothing in the Iranian record rules out a comparable substitution having occurred there too. The method is comparative philology and ethnobotany. Because an unbroken rite does not guarantee an unbroken species, the identification remains debated.
Use
Who May Handle It
Clergy or ordained officiants only 1
Consecration
Consecrated in a rite before use 1
Ritual Context
Prepared and consecrated by ordained priests as the central act of the Yasna, the principal Zoroastrian act of worship, and in continuous performance today 2Tradition: Zoroastrianism
Origins
Origin of the Name
Avestan haoma and Vedic soma descend from one Indo-Iranian word built on a root meaning to press, so the name records the act performed on the plant rather than the plant itself 3
Attributions
Tradition
Zoroastrianism 1
What Consuming It Is Said to Confer
Healing, strength of body, insight of mind and righteous sons; a final pressing at the renovation of the world is held to make the resurrected immortal 1Tradition: Zoroastrianism
Sources
Textual Note
Yasna 9 to 11, the Hom Yasht, is a dialogue in which Haoma appears to Zarathushtra at the hour of the morning ritual and asks to be pressed, then names the fathers who pressed him and the sons they were given 1
Physical Form
Form of the Substance
A pressed juice; the plant used in living practice is ephedra, called hom or hum 2Tradition: Zoroastrianism
Learn More
Haoma in the Yasna

The Yasna is the principal act of Zoroastrian worship, and the preparation and consecration of haoma is its centre. The ceremony is performed by ordained priests in a consecrated space, and the whole seventy two chapter liturgy that gives the Yasna its name is recited over it. This is living practice, carried out in Zoroastrian communities today, and it is described here rather than set out as a procedure.

Yasna 9 to 11 form the Hom Yasht, the hymn to Haoma, and they are unusual in the Avesta for being a dialogue. Haoma comes to Zarathushtra at the hour of the morning ritual, in the shape of a beautiful man, and asks to be pressed. Zarathushtra asks who first pressed him and what reward it brought, and the answers run back through a line of legendary fathers, each of whom pressed haoma and each of whom was given a famous son. The hymn is therefore also a genealogy of Iranian legend told from the point of view of the plant.

What Haoma is praised for is specific. He heals; he drives off sickness and death; he grants strength to the body and insight to the mind; he gives good and righteous children. He is called the golden, and he is asked for the reward of the best existence. Set against that, he is also the one being in the Avesta who is both the object of the sacrifice and its recipient, since the juice is offered to him and is him.

A future pressing carries the largest claim of all. At the renovation of the world, a haoma described as white and drawn from a plant of the sea is to be prepared, and those raised from the dead will drink it and become immortal.

One Word, Two Traditions

Avestan haoma and Vedic soma are the same word. Both come from an Indo-Iranian form built on a root meaning to press or to extract, so the name describes what is done to the plant rather than what the plant is, which is a large part of why identifying it has proved so hard: the ancestors of both traditions named the substance after the act.

The correspondence is not confined to the noun. Both traditions press a plant for juice, filter it, mix it with milk or water, and both make the resulting drink the centre of their principal sacrifice. Both personify it as a divinity who is also the offering. Both attach immortality to it. Avestan and Vedic are close enough that whole lines can be transposed between the Gathas and the Rigveda by regular sound correspondence, and the haoma and soma passages are among the clearest cases. The reasonable conclusion, and the one most Indo-Iranianists draw, is that the ritual is inherited rather than borrowed: there was a pressing rite before there was an Iran or an India.

That makes the identification question a single question with two sets of evidence. Whatever the Indo-Iranian plant was, it should account for both bodies of description, and any candidate that explains the Vedic material but not the Avestan is doing only half the work. It also means the living Zoroastrian use of ephedra is the strongest single piece of evidence anyone has, because it is an unbroken practice rather than a reconstruction, which is why ephedra is taken seriously for soma by scholars who find nothing in the Rigveda itself to suggest it.

What continuity cannot establish is that the plant never changed. Substitution is documented on the Indian side, and nothing rules it out on the Iranian side.

Cross-Tradition Connections

Associated With

Yasna 9 to 11 form the Hom Yasht, the hymn to Haoma.

Belongs to Tradition

Element Of

The pressed offering is made in Iran as in India, with a local plant standing where the original one cannot be had.

The plant is pounded and its juice consecrated in the Yasna, the central liturgy, which cannot be performed without it.

Implement Of

Yasna, Rituals

Preparing and consecrating haoma is the central act of the Yasna.

Related To

Ephedra, Plants

The plant pressed as hom in Zoroastrian practice today.

One Indo-Iranian word and one inherited rite. Both press a plant, filter the juice, mix it and make it the centre of the principal sacrifice, and both personify it as a divinity who is also the offering.

Source A History of ZoroastrianismMary Boyce

Rite Substance Of

Sources
Open Questions (1 open question)
Is the ephedra pressed in the Yasna today the plant the Avesta calls haoma?

The Zoroastrian ceremony has been performed continuously and uses ephedra, which is the strongest evidence anyone has in the whole soma and haoma question because it is a practice rather than a reconstruction. But continuity of a rite does not establish continuity of a species, and substitution is documented on the Vedic side of the same inherited tradition.

What would resolve this Residue analysis of Iranian ritual vessels of Achaemenid date or earlier, compared against the ephedra of current practice.
Archaeobotany with Avestan philologyMary Boyce, A History of Zoroastrianism
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