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Mystic India
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A 2004 large-format film financed and produced by BAPS Charities, directed by Keith Melton and narrated in English by Peter O'Toole, dramatizing the twelve thousand kilometer, seven year barefoot pilgrimage the eleven-year-old ascetic Nilkanth made across India between June 1792 and July 1799, before he became known to followers as Swaminarayan. Filmed at more than one hundred locations with a volunteer cast BAPS itself describes as exceeding forty five thousand, it recreates sacred shrines and festival scenes of eighteenth century India and blends a Western symphonic score with Indian classical music by Sam Cardon and Pandit Ronu Majumdar. Billed as the first large-format film about India made by an Indian organization, it won the Audience's Choice Prize at the 10th International Large Format Film Festival in Paris in January 2005 and Most Popular Film at the San Jose IMAX Film Festival.
Facts
Subject Matter
Religious Subject MatterSourced to the subject's own accountThe founding narrative of the Swaminarayan movement: the youth Nilkanth's renunciation of home and his seven year barefoot pilgrimage across India in search of dharma, the formative journey BAPS teaches preceded his recognition as Swaminarayan. 1 Scholarly ReceptionBilled by its own producers as the first large-format film about India made by an Indian organization; won the Audience's Choice Prize at the 10th International Large Format Film Festival, La Geode, Paris, January 2005, and Most Popular Film at the San Jose IMAX Film Festival. 2 Production
Release YearSourced to the subject's own account DirectorSourced to the subject's own account Country of OriginSourced to the subject's own accountIndia, filmed at over 100 locations; produced by BAPS Charities, 2004. 1 FormatSourced to the subject's own account In Other Languages (1 name)
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A Founder's Barefoot Journey, Told on the Largest Screens It Could Find
In June 1792, an eleven-year-old boy named Nilkanth left his home in northern India and did not stop walking for seven years. By the time his journey ended in Gujarat in 1799, he had crossed roughly twelve thousand kilometers on foot, through the Himalayas, Bengal and South India, before he would become known to his followers as Swaminarayan. That journey is the founding story of the movement BAPS carries forward today, and in 2004 the organization chose to tell it not in a temple hall but on some of the largest cinema screens in the world.
Mystic India was financed and produced by BAPS Charities itself, directed by Keith Melton and narrated by Peter O'Toole, whose voice guided audiences through recreated shrines and festival scenes built with a volunteer cast BAPS describes as exceeding forty five thousand people, filmed across more than a hundred locations. The score paired a Western symphony orchestra with Indian classical musicians, Sam Cardon working alongside Pandit Ronu Majumdar, a deliberate blending of registers to match a film its own producers billed as the first large format production about India made by an Indian organization.
The film found an audience outside the movement as readily as inside it, winning the Audience's Choice Prize at the International Large Format Film Festival in Paris and Most Popular Film honors in San Jose, and it continues to run in giant-screen theaters through the industry's own distribution channels. It is not an outsider's account of Swaminarayan spirituality. It is BAPS telling its own founder's story, in the format built for the biggest audience it could reach.
Cross-Tradition Connections
Associated With
This source names India directly: "ascetic Nilkanth made across India between June 1792 and July 1799, before he became known to followers as Swaminarayan."
Paris, Cities This source names Paris directly: "Large Format Film Festival in Paris in January 2005 and Most Popular Film at the San Jose IMAX Film Festival."
Belongs to Tradition
Financed and produced by BAPS Charities itself, dramatizing the movement's own founder's formative pilgrimage; stance holds because this is the tradition's own institutional production of its own origin story, not an outside account of it.
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