Musindo, the Shrine Painting, Sacred Objects & Ritual Items
Standing
Concerns Contested or Appropriated Modern Use
Currently States Museum display of paintings that left working shrines through colonial collecting, suppression campaigns and the art market is disputed, and practitioners do not all take the curatorial view
A musindo is a painted image of a deity used as the seat or dwelling place of that deity within Korean shamanic, muism, practice, an object with an active ritual function rather than a decorative one for the community that uses it. Laurel Kendall's Shamans, Nostalgias, and the IMF: South Korean Popular Religion in Motion (2009) documents that museum curators, once such paintings enter a collection, generally present them as folk art, objects of ethnographic and aesthetic interest displayed for a general public. Kendall records that practitioners and some scholars argue this recategorization mischaracterises the object, since a seat of a god functioning within an ongoing ritual relationship is not equivalent to a picture representing one, and further argue the circumstances under which such paintings were removed from active shrine use are not a neutral part of their history. The method is ethnographic, documenting both the curatorial framing and the practitioner objection as actually voiced. Because both framings are actively held, the contested use is recorded as live rather than resolved by its current museum setting.
Source Shamans, Nostalgias, and the IMF: South Korean Popular Religion in Motion, Laurel Kendall