Deities
Mithras
Also Known As Sol Invictus Mithras (Latin)
Roman Deities
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The god at the centre of the Roman mystery cult of Mithraism, worshipped from the late first century into the fourth, especially by soldiers, officials, and merchants across the empire. He is depicted above all in the tauroctony, the scene of the god slaying a bull within a cave, surrounded by a dog, a serpent, a scorpion, and a raven and flanked by the torch-bearers Cautes and Cautopates, an image whose precise meaning was lost with the cult's unwritten teaching. His mysteries were conducted in small subterranean sanctuaries called mithraea, where initiates advanced through seven grades named for the planets, shared ritual meals, and honoured him as a saviour who set the cosmos in order. Though his name and some of his imagery derive ultimately from the Indo-Iranian god Mithra, the Roman cult was a distinct creation whose relationship to its eastern namesake is much debated, and he should not be confused with the Zoroastrian yazata. He was also identified with the sun as Sol Invictus Mithras.
Facts
Cult
Principal Cult CentreConcentrated on the Rhine and Danube frontiers, and at Ostia 1 Principal Cult CentreMithraea across the empire 1 Attributes and IconographyFlanked by the torchbearers Cautes and Cautopates 1 Attributes and IconographyThe tauroctony: a youth in a Phrygian cap slaying the bull 1 Attributes and IconographyWith dog, snake, scorpion and raven 1 Worship and PracticeThe Roman cult of Mithras met in small underground chambers called mithraea and organised initiates through a sequence of seven ranked grades, each with its own symbols and patron planet. 2 Attributions
Mythic AssociationThe tauroctony scene central to Mithraic iconography, showing Mithras slaying a bull, is read by scholars as the cult's central mythic image, though no surviving text explains its full narrative meaning since Mithraic teaching was passed orally among initiates. 2 Belief
TheologyPolytheistic: many gods 1 Disputed
Point in DisputeScholars disagree over what the tauroctony actually depicts. David Ulansey and others read the scene as a star chart, casting Mithras as the constellation Perseus overturning the cosmic order marked by the astrological Age of Taurus, while most specialists, including Roger Beck in a more cautious form, treat the astral reading as suggestive rather than proven and favour older readings tied to sacrifice, salvation and seasonal renewal. No consensus exists on which interpretation is correct. 1 Function
Domain / Function Domain / Function Attestation
Era of Attestation Veneration TodayHistorically attested; no continuous cult 1 HistoricityNot a historical person: a divine or other-than-human being 2 Origins
Origin of the NameThe Latin Mithras represents a Greek-mediated transliteration of the Iranian Mithra, with the final s added to fit Greek and Latin grammatical convention rather than reflecting anything in the original Iranian name, a purely linguistic borrowing distinct from the separate and much debated question of how much of the god's actual worship carried over. 1 Learn More
The Bull-Slayer of the Roman Mysteries
The Roman Mithras is known almost entirely from what his worshippers left in stone rather than in writing, for the cult kept no scripture that survives. At the heart of every sanctuary stood the tauroctony: Mithras, in a Phrygian cap, kneeling on a bull and driving a dagger into its neck while a dog and a serpent leap at the wound, a scorpion grips the bull's genitals, and a raven looks on, flanked by the twin torch-bearers Cautes and Cautopates. The scene is thought to carry an astronomical or cosmological meaning now lost.
Worship took place in small windowless mithraea built to resemble caves, where men, and only men, advanced through seven graded initiations named for the planets, from Raven to Father, and shared a communal meal. The cult spread with the army and the imperial administration from the later first century and was strongest in the second and third. Its name and some motifs descend from the Indo-Iranian god Mithra, but scholars stress that the Roman mysteries were a new creation; the once-popular claim that Christianity simply copied Mithraism rests on parallels that specialists regard as exaggerated or invented.
Horus, Mithras and Krishna Against Their Own Sources
Murdock's specific parallel claims fail against the same primary sources this atlas already cites for each figure. For Horus, she leans heavily on a scene at the Luxor temple depicting the divine birth of a pharaoh, read as a virgin nativity; the historian Richard Carrier, who himself argues Jesus was not a historical figure and so has no religious motive to defend, has separately examined and rejected her reading of that inscription, which shows the evidentiary problem is independent of any apologetic stake in the outcome.
For Mithras, Murdock's Suns of God repeats claims of a virgin birth and a 25 December date; the Roman cult's own central myth instead has Mithras born fully grown from solid rock, and no surviving Mithraic evidence fixes 25 December as the god's own festival date earlier than evidence for the Christian date itself. For Krishna, she asserts a crucifixion; the Mahabharata and the Puranas instead record Krishna's death by an arrow shot by the hunter Jara, who mistook his exposed foot for a deer, and his mother Devaki conceived him by ordinary marriage to Vasudeva as her eighth child, not virginally.
Bart Ehrman's Did Jesus Exist? (2012) reviews this entire family of claims and rejects them on the same grounds argued here: not one Zeitgeist-popularized parallel survives a direct check against the actual ancient sources for Horus, Mithras or Krishna.
A Soldier's God and His Place in Roman Religion
Mithras never held a public priesthood or a state temple; his was a private mystery, spread by word and initiation rather than by civic festival. The evidence of dedications shows his worshippers concentrated among soldiers, freedmen, imperial slaves, customs officers, and merchants, the mobile personnel of the army and administration who carried the cult along the frontiers of the Rhine and Danube and into the ports of the Mediterranean. Because initiation was graded and the meetings small, a mithraeum rarely held more than a few dozen men, and a large garrison town might contain several.
The god was addressed as Deus Sol Invictus Mithras, binding him to the wider third-century devotion to the Unconquered Sun, though the two were not simply identical. What the cult offered its members is not spelled out in any surviving text, but the imagery of the bull-slaying, the planetary grades, and the shared meal points to a promise of order, fellowship, and a soul's ascent through the cosmos.
The Long Afterlife of a Lost Mystery
The cult declined through the fourth century as the empire turned Christian; mithraea were abandoned, and some were deliberately desecrated, their reliefs smashed or buried. Because the initiates left no doctrine in writing, the meaning of what they did had to be reconstructed from the monuments alone, and that reconstruction has swung sharply.
The Belgian scholar Franz Cumont, around 1900, argued that Roman Mithraism was essentially imported Iranian Mazdaism in Roman dress, a view that dominated for decades but is now largely rejected: specialists such as Roger Beck and Manfred Clauss treat the Roman mysteries as a fresh creation of the imperial period that borrowed a name and a few motifs from the East. A rival line of interpretation, developed since the 1970s, reads the tauroctony as a star-map encoding the precession of the equinoxes. The old popular claim that Christianity copied Mithraism, once repeated as fact, rests on parallels that scholars regard as loose, late, or invented.
Correspondences & Relations
Cross-Tradition Connections
Addressed By
The Mithras Liturgy culminates in an encounter with a solar deity identified in the text with Mithras.
The Santa Prisca acclamations praise Mithras in compressed, exclamatory form.
Why this is disputed. A Mithraic name appears within the text known as the Mithras Liturgy, and its original identification by Albrecht Dieterich, plus Hans Dieter Betz's later edition, translation and commentary, both treat it as a window onto Mithraic ritual practice, describing stages of ascent through the celestial spheres. Other historians of the Roman Mithras cult read the same text instead as a theurgic or magical composition that borrows the god's name without representing the cult's own liturgy, since nothing else in the archaeological and epigraphic record of Mithraism corroborates its specific content.
Associated With
Mithras, an imported mystery god, initiated Roman soldiers and officials in cave-temples across the empire.
This source names Mithras directly: "Apollo fused with Mithra as Apollo-Mithras-Helios-Hermes, and Herakles fused with the Zoroastrian god of victory Verethragna as Artagnes-Herakles-Ares."
This source names Mithras directly: "Eine Mithrasliturgie, Albrecht Dieterich's 1903 critical edition from B."
This source names Mithras directly: "Franz Cumont's Textes et monuments figures relatifs aux mysteres de Mithra, published by H."
This source names Mithras directly: "and commentary on the so-called Mithras Liturgy, a Greek magical text preserved within the Paris Great Magical Papyrus and long debated for its relationship, if any, to the Mithraic mysteries."
This source names Mithras directly: "study proposing that the Roman cult of Mithras originated from ancient astronomical observation, specifically the precession of the equinoxes, rather than from a direct continuation of Persian..."
This source names Mithras directly: "later esoteric reinterpretations of Mithras."
This source names Mithras directly: "on the tauroctony, the fixed scene of Mithras slaying a bull that formed the central cult image of Mithraism, read directly for this entry."
This source names Mithras directly: "traditions, and presents Horus, Mithras, Krishna and other figures as direct precedents."
Commonly Conflated with (See Note)
Jesus, Figures Why this is corrected. Popularized by Zeitgeist (2007), via Murdock and, behind her, Massey. The Roman cult's own central image is the tauroctony, a full-grown Mithras slaying a bull, and its origin myth has the god born directly from rock (petra genetrix), not of a virgin mother, on no date the surviving Mithraic evidence fixes as 25 December specifically. No surviving Mithraic source records a crucifixion or bodily resurrection. Ehrman, Did Jesus Exist? (2012), reviews and rejects the parallel; this page's own record documents the Roman cult directly.
Depicted In
Confirmed card in the deck's corrected multi-pantheon scope (Roman); jrriveracorner.wordpress.com full card list, corroborated independently for this figure.
Identified with (Interpretatio)
Mithra, Deities Why this is disputed. Whether the Roman mystery god Mithras continues Iranian Mithra worship or is a substantially new cult that borrowed his name is disputed: Franz Cumont argued continuity, but the 1971 Manchester Congress, including Richard Gordon, showed the central bull-slaying tauroctony has no Iranian precedent.
Related To
Mithras is called Sol Invictus Mithras in dedications, and the two cults shared the sun and much of the same soldiery, without being the same cult.
Worshipped In
Sources
1. The Religion of the Mithras Cult in the Roman Empire
Roger Beck, Oxford University Press, 2006The religion of the Mithras cult in the Roman empireView the Source 2. The Roman Cult of Mithras: The God and His Mysteries
Manfred Clauss, Edinburgh University Press, 2000The Roman cult of Mithras: the god and the tauroctonyView the Source Religions of Rome, Volume 1: A History
Mary Beard, John North and Simon Price, Cambridge University Press, 1998Mystery cults and the religions of the Roman empireView the Source Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source Reader Challenges (0 open reader challenges)
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