Divinity Atlas

Sacred Correspondences
Human Design Gates

Fantasy and Anticipation

Root Center Gates

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Origin 1987

Gate 41 sits in the Root and is read as fantasy and anticipation, the pressure of feeling that starts a new cycle of experience before there is anything yet to experience. Its number belongs to the forty-first hexagram, Decrease, whose counsel is that what is taken from below and given above must be offered sincerely, and that limited means honestly used are enough. Human Design gives this gate a special structural role, holding that it begins the whole sequence of the sixty-four and comparing it to a start codon in genetics. That comparison is Ra Uru Hu's analogy; it is not an established finding in biology, and it has no basis in the Chinese text.

Facts
Origins
Origin Period
1987 2Tradition: Human Design (Ra Uru Hu, 1987)
Origin Period
Fantasy and Anticipation is gate 41 of the sixty-four gates of the Human Design system, corresponding to Hexagram 41, Decrease of the I Ching; the system itself was synthesized in 1987 out of the I Ching, the chakra teaching, Kabbalah and astrology. 2
Contested Use
Contested or Appropriated Modern Use
The I Ching of China, the chakra teaching of India, Kabbalah and astrology are drawn on here inside a scheme assembled in 1987 and offered as an instrument of psychological counselling. The four traditions it draws on are old; the arrangement that joins them is not, and none of them produced it. 2
Identity
PositionSourced to the subject's own account
41 of 64 1
Correspondences
CenterSourced to the subject's own account
Root 1
Channel PartnerSourced to the subject's own account
Gate 30 (Channel of Recognition) 1
I Ching CorrespondenceSourced to the subject's own account
Hexagram 41, Decrease 1
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The Genetic Analogy, Stated Precisely

Human Design makes frequent use of genetic language, and the claim underneath it needs to be separated carefully from the metaphor built on top of it.

The arithmetic is real. The I Ching has sixty-four hexagrams because each is six lines with two possible states, and two to the sixth power is sixty-four. The genetic code has sixty-four codons because each is three bases drawn from an alphabet of four, and four cubed is sixty-four. Both numbers are sixty-four, and both arise from a short sequence over a small alphabet. That much is simply true and can be checked.

The inference is not established. Human Design treats the coincidence as evidence of a correspondence, mapping gates to codons and describing activated gates as genetic imprinting. There is no result in molecular biology supporting a mapping between hexagrams and codons, no mechanism by which planetary positions could select codons, and no peer-reviewed work testing the proposal. The correspondence is an analogy that the system finds illuminating, and it should be described as such.

Gate 41 carries a specific version of this. Human Design holds that it begins the cycle of all sixty-four, and describes it by analogy with a start codon, the triplet at which the reading of a gene begins. Within the system this gives Gate 41 a structural priority: it is where the round of human experience starts. In the I Ching, the forty-first hexagram is Decrease, and occupies no special position in the King Wen sequence at all.

So the start-of-cycle claim is Ra Uru Hu's, dating from 1987, and it is an architectural decision within his system rather than a fact about either the I Ching or genetics. Practitioners hold it; the entries here describe it without asserting it.

The Neutrino Claim

Among the distinctive features of Human Design is a specific physical mechanism, which Ra Uru Hu proposed and which most other systems of this kind do not attempt.

The claim is that neutrinos are the carrier. Neutrinos are produced in enormous quantities by nuclear fusion in stars, pass through matter almost unimpeded, and stream through every human body continuously. Human Design holds that these particles carry information from the bodies that emit them, and that as they pass through a person they imprint that information, so that the planetary positions at particular moments become fixed in the individual.

One part of this is worth reporting accurately because it is often garbled in both directions. Ra Uru Hu maintained from 1987 that neutrinos have mass, at a time when the standard model treated them as massless and the question was genuinely open in physics. In 1998 the Super-Kamiokande experiment demonstrated neutrino oscillation, which implies non-zero mass, and the result was recognised with a share of the 2015 Nobel Prize in Physics. Practitioners cite this as a confirmed prediction.

What the physics does not supply is the rest of the claim. That neutrinos have a small mass is established. That they carry structured information about the stars they came from, that this information is imprinted on biological tissue, and that the imprint corresponds to hexagram positions on a zodiacal wheel, are not established and are not the subject of any research programme. Neutrinos interact with matter so weakly that detecting them at all requires enormous instruments, which is the specific difficulty the informational claim would need to address.

The system holds it. It is stated here as what the system holds.

Cross-Tradition Connections

Corresponds To

Human Design Gate 41, Fantasy And Anticipation, corresponds to Hexagram 41, Decrease, per its own iching-correspondence fact.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Human Design Gate 41, Fantasy And Anticipation, and Gene Key 41, From Fantasy to Emanation, are the same wheel position, both keyed to Hexagram 41, Decrease.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Design Earth in These Crosses

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Design Sun in These Crosses

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Located in Center

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Personality Earth in These Crosses

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Personality Sun in These Crosses

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Sources
1. The Human Design System
Ra Uru Hu (Alan Robert Krakower), Human Design America, 1992Gate 41, Fantasy And AnticipationView the Source
2. Über den Tellerrand, ein Blick ins Human Design System (HDS)
Petra Stute, Virineya Würgler and Johnny Würgler, Springer, Journal für Gynäkologische Endokrinologie/Schweiz 24 (2021), pp. 50-51, 2021p. 50: the four systems synthesised, and the use made of the synthesisView the Source
The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980The corresponding King Wen hexagram 41View the Source
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