Divinity Atlas

Sacred Correspondences
Human Design Gates

Natural Rhythms

Sacral Center Gates

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Origin 1987

Gate 5 sits in the Sacral centre and is read as fixed rhythm: an inner timing that keeps eating, sleeping and working patterned, and that suffers when the pattern is broken. Its number belongs to the fifth hexagram, Waiting, whose image is clouds gathering before rain and whose counsel is that waiting done with confidence is itself a form of action. Human Design keeps the idea of a right time and makes it bodily and habitual, pairing the gate with Gate 15 in the channel of Rhythm, where a fixed pattern meets a tolerance for extremes. The hexagram is ancient; attaching it to a sacral rhythm in a nine-centred body map is a modern reading, made in 1987.

Facts
Origins
Origin Period
1987 3Tradition: Human Design (Ra Uru Hu, 1987)
Origin Period
Natural Rhythms is gate 5 of the sixty-four gates of the Human Design system, corresponding to Hexagram 5, Waiting of the I Ching; the system itself was synthesized in 1987 out of the I Ching, the chakra teaching, Kabbalah and astrology. 3
Contested Use
Contested or Appropriated Modern Use
The I Ching of China, the chakra teaching of India, Kabbalah and astrology are drawn on here inside a scheme assembled in 1987 and offered as an instrument of psychological counselling. The four traditions it draws on are old; the arrangement that joins them is not, and none of them produced it. 3
Identity
Position
5 of 64 1
Correspondences
CenterSourced to the subject's own account
Sacral 2
Channel PartnerSourced to the subject's own account
Gate 15 (Channel of Rhythm) 2
I Ching CorrespondenceSourced to the subject's own account
Hexagram 5, Waiting 2
Learn More
The Gate and Its I Ching Hexagram

Gate 5 of the Human Design system carries the name "Natural Rhythms," and this entry describes it as the system itself presents it. Human Design is a modern esoteric system, originated in 1987 by Ra Uru Hu (born Alan Robert Krakower, 1948-2011), who presented its content as received teaching rather than as an inherited tradition. It is roughly four decades old and is best read as a contemporary synthesis, not as ancient wisdom or established fact. Ra Uru Hu combined four older systems that had never before been joined: the I Ching supplies the sixty-four gates, the Hindu chakra model the nine centres, the Kabbalistic Tree of Life the connecting channels, and Western astrology the method of calculation.

The gates take their numbers from the King Wen sequence of the I Ching, so Gate 5 corresponds to hexagram 5, Waiting. The link is one of numbering and binary structure only: the hexagram belongs to a genuinely ancient Chinese text, while the gate's psychological keynote, here summarised as "Natural Rhythms", was formulated in the late twentieth century and is not drawn from the classical commentaries. The two meanings are best kept side by side rather than merged.

The Gate in the Bodygraph

Within the bodygraph, the composite body-map at the centre of Human Design, Gate 5 is placed in the Sacral centre, one of the nine centres the system maps onto (and expands from) the seven-centre chakra model. Gates do not act alone in the model: each pairs with another gate to complete a channel joining two centres. It belongs to the Channel of Rhythm (5-15), which it forms with Gate 15 ("Embracing Extremes"). These placements and pairings are features of Ra Uru Hu's 1987 design and describe the system's internal mechanics; they are presented here as the system's own claims, not as verified facts about human beings.

The Sacral centre carries a specific function in the system's own account: life force and work energy, read as the body's own generator and its yes or no gut response. Gate 5 is one of 9 gates the bodygraph assigns to this centre, and its reading is built from that placement rather than from anything in the classical hexagram commentary.

The same number appears elsewhere in this atlas as Gene Key 5, Richard Rudd's later, contemplative rereading of the identical hexagram. Where Ra Uru Hu gives the gate the fixed keynote "Natural Rhythms", Rudd spreads the same number across a spectrum: the Shadow of Impatience, the Gift of Patience and the Siddhi of Timelessness. The two accounts share a hexagram and a number and diverge in almost everything else, since one issues a fixed mechanical reading and the other asks for years of contemplation.

Cross-Tradition Connections

Corresponds To

Human Design Gate 5, Natural Rhythms, and Gene Key 5, From Impatience to Timelessness, are the same wheel position, both keyed to Hexagram 5, Waiting.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Human Design Gate 5, Natural Rhythms, corresponds to Hexagram 5, Waiting, per its own iching-correspondence fact.

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Design Earth in These Crosses

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Design Sun in These Crosses

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Located in Center

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Personality Earth in These Crosses

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)

Personality Sun in These Crosses

Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Source The Human Design SystemRa Uru Hu (Alan Robert Krakower)
Sources
1. The I Ching, or Book of Changes
Richard Wilhelm (trans.); Cary F. Baynes (English trans.), Princeton University Press, 1980The corresponding King Wen hexagram 5View the Source
2. The Human Design System
Ra Uru Hu (Alan Robert Krakower), Human Design America, 1992Gate 5, Natural RhythmsView the Source
3. Über den Tellerrand, ein Blick ins Human Design System (HDS)
Petra Stute, Virineya Würgler and Johnny Würgler, Springer, Journal für Gynäkologische Endokrinologie/Schweiz 24 (2021), pp. 50-51, 2021p. 50: the four systems synthesised, and the use made of the synthesisView the Source

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